As well, a show was broadcast from a local farm in Westminster, Maryland. Everywhere we went, people would say Theres Mary Lou. I wondered if she had just been released from the penitentiary.. This sort of nearsighted, if not disingenuous, framing persists today, whether in affluent parents in New York City insisting their opposition to school rezoning proposals is not about race, or in arguments suggesting that the best way to address racism is to stop accusing people of being racists.. Deane even played a small role in the movie, which premiered to moderate success but went on to become a cult classic. The Buddy Deane Show was taken off the air because home station WJZ-TV was unwilling to integrate black and white dancers. Deane also played songs that other disc jockeys, including Dick Clark, refused to present to mostly white teen TV audiences because the acts sounded "too black" (e.g. For many young people, being blocked from swimming pools, skating rinks, or dance shows like the Buddy Deane Show would be one of their first exposures to what King calls the feeling of forever fighting a degenerating sense of nobodiness.. They kept their figures, look nice, and are very kind people, says Marie in her lovely home on Falls Road before taking off for the University of Maryland, where she attends law school. Unlike the tensions that followed the real integration of the Buddy Deane Show, Waterss Hairspray ends with the protesters triumphing. When that little red light came on, so did my smile, she says, laughing. Oddly enough, few of the Deaners Ive talked to went on to show biz. Some of the local teens who danced on the show became local celebrities and had fans of their own. The Department of Education even withdrew its support of the show, and the show had to be filmed in the parking lot at times because of the threats they received. Debuting at a mere 11 years of age, taking three buses every day to get to the show, wearing that wonderful white DA (created by her hairdresser father), and causing the first real sensation. Sources: www.IMDB.com -- Buddy Deane Biography; www.OzNet.com - A Collection of Articles About Buddy Deane; www.Variety.com -- Winston J. So the NAACP targeted the show for protests. Buddy called me up before the cameras, and I wasnt dressed my best. Once I was off the show for a while, and they said I had joined the nunnery, says Helen, laughing. The protesters wanted the races to mix. Marie Fischer was the first Joe to become a Committee memberchosen simply because she was such a good dancer. Waters based the main storyline and "The Corny Collins Show" on the real-life "The Buddy Deane Show" and racial events surrounding it. Deane began his broadcasting career at KLXR in Little Rock, Arkansas. Youre in Baltimore. Pauline Kael praised him. (The rave appeared in The New Yorker, where Kael said it was really Divines movie, calling him W. (They gave her a diamond watch at the last reunion.) I am here and on FB as well as NOBLE BRUN in the event the footage can be located. The Nicest Kids in Town! From then on, all bare shoulders were covered with a piece of net. Most Deaner girls wouldnt even tongue-kiss, claims Arlene, remembering the ruckus caused by a Catholic priest when the Committee modeled strapless Etta gowns on TV. Oh sure, if you were Joe College [pre-preppie], you just didnt do The Deane Show. Did you ever tum into a Joe College? I ask innocently. An then there was teased hair, replacing the 50s drape with a Buddy Deane look that so pervaded Baltimore culture (especially in East and South Baltimore) that its effect is still seen in certain neighborhoods of this great Hairdo Capital of the World. . The best little jitterbugger in Baltimore. Buddy wanted it to end happily, but WJZ angered Deaners when it tried to blame the ratings. He was one of the first disc jockeys in the area to regularly feature rock and roll. Buddy offered to have three or even four days a week all black, but that wasnt it. I was Tracy, said Waters. It was a fluke. In fact, "American Bandstand" was not shown on television in Baltimore because Deane's show was so popular. In the beginning, there was Arlene. I remember it well, recalls Evanne. You received demerits for almost anything: Chewing gum. Counter to host Dick Clark's claims that he integrated American Bandstand, this book reveals how the first national television program directed at teens discriminated against black youth during its early years . Print Headline: Buddy Deane Show was huge hit for young viewers in the late 1950s, Copyright 2023, Northwest Arkansas Newspapers LLC. and later on, growing up, it was a definite blow: reality. I still have a whole box of fan mail, says Evanne. Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. You Cant Stop the Beat, for example, is an upbeat dance number that resolves the issue of segregation on the Corny Collins Show. I'm sure they could have reached out to me via these posts, but did not. The Funtown reference is powerful because it captures one of the ways that Jim Crow segregation and white supremacy played out for children and teenagers. Waters took inspiration from the real-life Buddy Deane Show, a local dance party program that ran from 1957 to 1964 in the Maryland area. Sign up for our Email Newsletters here. Some kids on the show went a little nuts, with stars in their eyes; they thought they were going to go to Hollywood and be moviestars.. If you leaned on one side, the next day youd just pick it out into shape. "How 'The Buddy Deane Show' really went off the air is the white kids crashed Negro Day to integrate it. In 1942, Deane enrolled at Cornell University in New York. For the rest of the time, the show's participants were all white. American Bandstand, one of the most popular television shows ever, broadcast from Philadelphia in the late fifties, a time when that city had become a battleground for civil rights. You are history. Buddy Deane used to boast that every major rock 'n' roll star of the era appeared on the show, except Elvis Presley and Rick Nelson. Mary Lou was the last of the Buddy Deane superstars, true hair-hopper royalty, the ultimate Committee member. Still, as an historian of the television era that Hairspray so lovingly recreates, I believe the story also presents a more nuanced vision of how popular culture helped to educate white and black teenagers about racial hierarchies. The Buddy Deane Show was over. By what name was The Buddy Deane Show (1957) officially released in Canada in English? MPT did a segment which included interviews with former African American dancers who appeared on the show. In 1963, the Civic Interest Group, an student integrationist group founded at Morgan State University, challenged this policy by obtaining tickets for black and white teens to attend the show on a day reserved for black teenagers. Not one of the Committee members, the ones chosen to be on the show every daythe Baltimore version of the Mouseketeers, the nicest kids in town, as they were billed. Its fairly neat, commercialized, and revisionist portrayal of 1960s Baltimore sharply contrasts with the current messy, national discussion of identity politicsa disjunction that could prompt new audiences to reevaluate their assumptions about how racism operates. If I have one regret in life, its that I wasnt a Buddy Deaner. When I get depressed, I dont go to the psychiatrist, I go to the jeweler, she says. After you sprayed it, youd get toilet paper and blot it. In its version of 1960s Baltimore, teenagers sing and dance their way past race. The action of the musical takes place in 1962 and centers around Baltimore's teenage obsession with the television program The Corny Collins Show, a stand-in for an actual Baltimore production of the day, The Buddy Deane Show. One of the first ponytail princesses was Peanuts (Sharon Goldman, debuting at 14 in 58, Forest Park, Chicken Hop), who went on the show because Deaners were folk heroes. She remembers Paul Anka singing Put Your Head on My Shoulder to her on camera as she did just that. In addition to creating teenage dancing sensations, "The Buddy Deane Show" also featured musical superstars of the day, including Buddy Holly, Domino, the Supremes, the Marvelettes, Annette Funicello, Frankie Avalon, Fabian and many others. Waters would rush home . It would be a treasure to pass down to my future generations. Many parents and local officials were angry. Could it be? WJZ's show aired from 1957 to 1964 and was popular among Baltimore teens, promoting dances like the twist, mashed potato, and the Madison. Material from the Associated Press is Copyright 2023, Associated Press and may not be published, broadcast, rewritten, or redistributed. It was the era of rock n' roll ducktail, pegged pants, and beehive haridos. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (1924-2003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. The star system was born. Everybody wanted to kick a Buddy Deaners a, says Gene, recalling thugs waiting to jump Deaners outside the studio. Buddy returns on a pilgrimage from St. Charles, Arkansas, where he owns a hunting and fishing lodge and sometimes appears on TV, to spin the hits and announce multiplication dances, ladies choice, or even, after a few drinks, the Limbo. Hundreds of thousands of teens learned the latest dances by watching Committee members on the show, copying their personal style, and following their life stories and interactions. Deane hosted a morning show at WITH. It was similar to Philadelphia's American Bandstand. Ninfa O. Barnard Special to The Commercial Other vices were likewise eschewed. Why not do The Deane Show on TV again? [1] He was 78. Get off that furniture!? The black cops would stop us and say: This isnt Greenwich Village, you know. Owing to Deane's mid-South roots and work history, he featured many performers from the ranks of country and western music (e.g., Skeeter Davis, singing "The End of the World" and Brenda Lee singing "Sweet Nothin's"), who then achieved cross-over hits among rock and roll fans. Joe Cash has Jonas Cash Promotions, in Columbia and Silver Spring.. (my own promotional firmwe represent Warner Brothers, Columbia, Motown85 percent you hear in this market)and Active Industry Research, in Columbia (a research firmIm chairman of the board). Ten seconds to airtime. Deane died in Pine Bluff on July 16, 2003, after experiencing complications caused by a stroke. On Wednesday, NBC is broadcasting Hairspray Live! It was broadcast for two hours a day, six days a week and featured local teenagers dancing to their favorite music played by live bands. I dont think Ill ever get over missing it, if you want to know the truth., Many of the Committee members spouses faced an even bigger adjustment. 'The Buddy Deane Show' was over . How The Buddy Deane Show really went off the air is the white kids crashed Negro Day to integrate it. I had a lot of black friends at the time, so for me this was an awkward thing, says Marie. . NBCs Hairspray Live! There were threats and bomb scares; integrationists smuggled whites into the all-black shows to dance cheek-to-cheek on camera with blacks, and that was it. Many parents and local officials were angry. With the rising pressures of integration, the producers decided that the show must either be integrated or canceled. In my on-going search for African American footage I stumbled across this article in Google. I wanted to get into the record businessand years later he did. That's what really happened, and the show shut down." 3. Buddy wanted it to end happily, but WJZ angered Deaners when it tried to blame the ratings. | This document may not be reprinted without the express written permission of Northwest Arkansas Newspapers LLC. As with the drapes and squares of the previous decade, she explains, there were two classes of people thenDeaners and Joe College. The producers of Diner wanted to include Buddy Deane footage in their film, but most of the shows were live and any tapes of this local period piece have been erased. The television news reporter covering the Corny Collins Show in the film sums up the climactic scene: Youre seeing history being made today. The material on this site may not be reproduced, distributed, transmitted, cached, or otherwise used, except with the prior written permission of Baltimore Magazine. It was horrible/ says Joe. The regulars . How Actress Rachel Hilsons Baltimore Roots Influence Her Work Today, The Mount Vernon Virtuosi is Much More Than a Chamber Orchestra, Jen Michalski Discusses New Short Story Collection The Company of Strangers. producers hope this story of interracial unity will be appealing to television audiences in 2016. Was it really twenty years ago? [1], As with many other local TV shows, little footage of the show is known to have survived. Facing controversy over the possibility of more integrated broadcasts, the station canceled the program. I thought I was running the world, so they developed a Board, and the Committee began governing itself. Being elected to the Board became the ultimate status symbol. That really hit home then., He adde, That scene where Tracy and [Link] are making out outside and the homeless guy walks up the street singing, that is exactly true. There were a lot of obscene phone calls., And the rumors, God, the rumors. The "Buddy Dean Show" was abruptly cancelled. The show's format mirrored Philadelphia's . But an intrepid group of local and . Deane also presented British artist Helen Shapiro, who sang her Baltimore hit, "Tell Me What He Said," at about the time that she was touring England with The Beatles as one of her support acts. Dick Clark patterned his ABC-TV show, Where the Action Is, after local remotes done by Deane in Maryland. In early 2003, Deane sold KOTN and three other stations he had acquired over the years. August 8, 2022 at 3:55 a.m. Powers was a particularly special addition, having disappeared in the years since the films release. Once a month the show was all black. So that was all true in a way, in a weird way., The girls hair was higher, the pants were tighter, and in real life it went off the air because they wouldnt integrate it. On the one hand, the storys feel-good conclusion implies that colorblindness is the silver bullet that ends racial discrimination, that good intentions and individual acts of bravery are enough to bring about harmony. Some of the really dedicated Committee members get tears in their eyes. With the 1960s came a whole new set of stars, some with names that seemed like gimmicks, but werent: Concetta Comi, the popular sister team of Yetta and Gretta Kotik. The rivalry with Dick Clark meant that Deane urged all his performers not to mention American Bandstand or visits to Clark in Philadelphia. Participants dressed in "country" style, and danced to country and western music as well as pop. (I looked like I was taking off.) And Helen, Linda, and Joanie all got out the rat-tail teasing combs. Why Europeans Dont Get Huge Medical Bills. . Baltimore teenagers rushed home to catch the show daily to listen to the popular music, watch their favorite dancers, copy their style and learn the new dances that were introduced almost every week. We use cookies to ensure that we give you the best experience on our website. I focused on the 1957-1964 television series The Buddy Deane Show in part because I'm interested in documenting old school African American originated line dances, and the Buddy Deane Show's 1958 or 1959 clip of The Madison appears to be the earliest surviving film of that dance.I believe that The Buddy Deane Show is important in part because it documents aspects of Americana such as the way the teenagers (or at least White teenagers] in the late 1950s and early 1960s dressed, danced, interacted, and also documented (through retrospective interviews such as the one quoted in Excerpt #2 of this post) attitudes and values of that time. In 1958 the Buddy Deane Show lost support from the Baltimore City Board of Education due to it's segregation policies, and in 1964 it went off the air instead of choosing to integrate. Mary Lou, the Annette Funicello of the show, was the talk of teenage Baltimore. (NWA Media). The more hair spray, the better. The Buddy Deane Show was taken off the air because home station WJZ-TV was unwilling to integrate black and white dancers. I wanted to join the circus., Two other ponytail princesses who went on to the Buddy Dean hall of fame were Evanne Robinson, the committee member on the show the longest, and Kathy Schmink. Nicknamed "Buddy" as a child, Deane developed an early love for radio. January 4, 1964. Voters approve of . Do you miss show biz? I ask her. It was similar to Philadelphia's American Bandstand. And if you dared to dance the obscene Bodie Green (the Dirty Boogie), you were immediately a goner. I guess Helen Crist was the first drapette: the DA, the ballet shoes, oogies [tulle scarves], eye shadoweyeliner was big thenand pink lipstick., Helen Crist. The Buddy Deane show aired 6 times a week and had a dance committee just like in hairspray. From 1957 to 1963, only white teens were allowed to attend the weekday broadcasts of the Buddy Deane Show, with the exception of one Monday each month when black teenagers filled the I even won the twist contest with Mary Lou Raines (one of the queens of The Buddy Deane Show) at the Valley Country Club. From 1957-1965, Deane was chosen as host of WJZ-TV, Baltimore's "The . The night was full of delightful anecdotes, including these ten you may not have heard before. Girl Scout leader, very active in my kids school. Mary Lou is still a star. Jul 24, 2017 - Explore Bruce Clarke's board "Buddy Dean Show", followed by 154 people on Pinterest. What: The Buddy Deane Show was a teen rock-and-roll dance television show that aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964. Buddy: Deane in the 50s when she worked for a record wholesaler and he was the top-rated disc jockey on WITHthe only DJ in town who played rock n roll for the kids. Later that year he enlisted in the Army, where he served in Europe involved in some of the most intense battles of World War II. For example, consider the comments of members of the "Committee" [the regularly featured White teenagers on that show] about boys having it worse than girls because boys weren't supposed to dance. My parents didn't talk much about racism, and as a result I grew up learning to love everybody. In Little Rock, white teens went from protesting integration at Central High School to dancing in the afternoon on Steves Show. Maybe ''The Buddy Deane Show,'' the teen-dance-party that ran on local television in Baltimore from 1957 to 1964 and inspired ''Hairspray,'' was the only wholesome obsession that ever led to one . People already were excited about it, but after the election they were saying, Boy, do we need this now, Meron said while promoting the new television musical. Many years later they married. Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. But most have settled down to a very straight life. Seeing Hairspray as more than simply a post-racial American fantasy requires taking the storys teen dance show setting seriously. The Deane program was a segregated show: white and Black teenagers danced on separate broadcasts. While he wasnt on the committee, Waters occasionally danced on the show as a guest. Thank you for including me as one of the Buddy Dean family. Or Hartford Motor Coach Company? Also, read the comments in that same excerpt about the series only wanting "attractive" teenagers as featured dancers. With the show beginning at 2:30 in some years, cutting out of school early was common. Actor: Hairspray. All of those dances were real, they were real dances, we didnt make any of them up and two were cut out. Bill Haley and the Comets did their premier perf of "Rock Around the Clock" on Deane's show, and Deane was named the No. Black teens were only allowed to dance on the show one day per month. Both black and white activists picketed the . That she has an affluent life-style surprises no one on the Committee. It's not just about police brutality. See, the fictional Corny Collins Show is actually based on the real Buddy Deane Show, which aired on WJZ-TV in Baltimore, Maryland from 1957 to 1964, and was the inspiration for John Waters . Black History Month . Even doing commercials was expected. If you were a Buddy Deane Committee member, you were on TV six days a week for as many as three hours a dayenough media exposure to make Marshall McLuhans head spin. These were the first role models I knew. ', Although many parents and WJZ insisted that Committee members had to keep up their grades to stay on the show, the reality could be quite different. Almost all dancers wore swim wear and beach attire, with music provided by WJZ-TV. Waters's nostalgic and detailed appreciation for The Buddy Deane Show, . The "Corny Collins Show" in Hairspray is loosely based on the Baltimore teen dance program called the "Buddy Deane Show." One Baltimore woman fought to get black teens on the popular show back in 1958. I still believe that footage is out there somewhere. John Waters, a Baltimore filmmaker and Deane Show fan, loosely based "The Corny Collins' Show" in his movie "Hairspray" on Deane's show. Im a typical housewife, says Peanuts. So you cant imagine how excited I was when I finally got a chance to interview these local legends twenty years later. The racial integration of a take-off of the show, dubbed The Corny Collins Show, provides the backdrop to the 1988 John Waters film Hairspray. In Hairspray (1988), Tammy Turner assists Corny Collins on the show. If you couldnt do the Buddy Dean jitterbug, (always identifiable by the girls ever-so-subtle dip of her head each time she was twirled around), you were a social outcast. He just didnt understand., But some have dealt with the problems in good humor. The Corny Collins Show, is a teen dance show in Baltimore's WYZT /WZZT Network. When Mary Lous husband gave me the long and complicated directions to their home on the phone, he ended with And there you will find, yes, Mary Lou Raines. He later confided that when he first started dating her, he had no idea of her early career. The white kids parents came and got them. were the highest rated local TV show in America." Amazingly, Deane's show was aired live, two-and-a-half hours each day on five days a week with three hours on Saturday. You are out of here. That's one of the things that the Black Lives Matter movement is talking about. . On the air before Dick Clark debuted, the show was a hit from the beginning, says Arlene today. So a year later when he had his own show, it seemed only right that "Rock Around the Clock" premiered on "The Buddy Deane Show.". The Deaners didnt mind. Perhaps the last thing 2016 needs is a star-studded, light-hearted musical endorsement of colorblindnessthough, viewed holistically, Hairspray is more than that. But as more and more kids (even Deane fans) did tum Joe College, many of the Committee made the mistake of not keeping up with the times. But something unforeseen happened: The home audience soon grew attached to some of these kids. . The first page of the essay, for example, features a full-page picture of black protestors in 1962 in Times . Once a Deaner, always a Deaner, as another so succinctly puts it. IndieWire is a part of Penske Media Corporation. bottom urban dictionary, 2019 topps heritage rookie cards, Wasnt a Buddy Deaners a, says marie integrated or canceled Hairspray more., or redistributed when I get depressed, I dont go to the jeweler she. 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